Category Archives: films

An Emotional Holmes? It’s Time to litigate!

The Guardian offers an amusing article about a new film that uses the Sherlock Holmes character in ways that the author’s estate finds objectionable. They are suing.

Arthur Conan Doyle’s estate has filed a lawsuit arguing that Enola Holmes, a new Netflix movie about Sherlock’s kid sister, portrays a warmer, more human side of the fictional detective. This, the Doyle estate argues, is an infringement of copyright. While the lawsuit was filed in June, it has been getting a lot more attention in the past couple of weeks following the film’s release.

Scorcese and Wharton: A Not so Odd Couple?—-+——–+++

Check out this  wonderful post by Sam Jordison for the Guardian on the film “The Age of Innocence“.

It starts with a seeming anomaly. Martin Scorcese, director of films full of violence  (like Raging Bull) decided to bring  to the screen a story by Edith Wharton where there is no violence at all.

Here is the grabber

Even in 1993, it seemed surprising that Martin Scorsese should direct an adaptation of The Age of Innocence. Why was the director of bloody and furious classics such as Taxi Driver and Raging Bull taking on this story of decorum and reserve in New York high society? When the film came out, critic Roger Ebert wrote that the pairing had “struck many people as astonishing – as surprising, say, as if Abel Ferrara had announced a film by Henry James”.

And yet, Wharton’s story may have more in common with Scorcese’s mindset than one might think – namely enforced loyalty to group standards.

Wharton’s society, with the formidable Van der Luydens “above all of them”, is as tough as they come. Transgressors against its strict honour code are punished without mercy.

Read on! and check out this wonderful film and novel.

And consider — for all of our early 21st century freedom, how much do we still cling to norms imposed on us by groups we long to belong to? Gone are the norms of the great families of Manhattan. But are the norms imposed by marketing geniuses flogging stuff that we cannot afford any less powerful?

Food for thought! Food? Yes, this was one of Edith Wharton’s obsessions. In her early days, she was convinced that she was too thin. Then in the early 20’s, when women’s fashion ditched the corset, she was obsessed by being too fat.

Why was and is weight so important? Hmmm … yes, there you have it.  And if we do binge, what food do we serve to the soul?

If you need further inducement towards Ms Wharton, consider this fun piece about her recollection of a motoring  excursion with the rather verbose Henry James.  Very funny ending!

Film: Celebrating Charlie Kaufman

If you like Kafka, you’ll love Charlie Kaufman!

Charlie Kaufman is one of the more original film makers of our generation and he has a new film out on Netflix called “I’m Thinking of Ending Things”.

Alissa Wilkinson reviews the film  — and offers a broader appreciation for Charlie — for Vox .

Here is the trailer. Go for it! But beware! It is on the creepy side!

One of the Greatest Films of the 1950’s

It was a long time ago. The memories of the war were fading. America and Europe were on the rebound. Life for the middle class was good. And amidst this film goers were treated with a certain type of film – a type that could not be easily reproduced today.

One of the greatest of those 1950’s films is “To Catch a Thief”, starring Cary Grant and Grace Kelly, and directed by Alfred Hitchcock.

To Catch a Thief – Hitch and Cary - The Spread

Surprisingly, it had mixed reviews. Some critics wanted more tension, and better acting from Grace Kelly.  I think these comments miss the point. The film is about elegance, and it is very elegant indeed.

An evening to remember?

Cary Grant And Grace Kelly Back On The Big Screen With Hitchcock's TO CATCH  A THIEF - Movies In Focus

Care for some quiche lorraine  on the terrace?

Set a thief… To Catch a Thief – Once upon a screen…

For the time being, You can watch the film here on this YouTube link.

Enjoy!

Remembering James Bond in Goldfinger

If Goldfinger is not your favorite James Bond film, it is likely to be at least in your top 5. There are so many great things about the film — not least of which is the music.

1964 - James Bond - Goldfinger: title sequence - YouTube

It came out in 1964 and was intended to make Bond more popular in the US: Boy was it successful in that regard!

Goldfingers $3 million budget was recouped in two weeks, and it broke box office records in multiple countries around the world.[4] The Guinness Book of World Records went on to list Goldfinger as the fastest grossing film of all time.[4] Demand for the film was so high that the DeMille cinema in New York City had to stay open twenty-four hours a day.[80] The film closed its original box office run having grossed $23 million in the United States[63] and $46 million worldwide.[81] After reissues, the first being as a double feature with Dr. No in 1966,[82] Goldfinger grossed a total of $51,081,062 in the United States[83] and $73,800,000 elsewhere, for a total worldwide gross of $124,900,000.

In 2020 terms, that would be more than a billion.

What made the film so popular? For one thing, it features Sean Connery  at his best as Bond. For another, the villains are top notch. This review goes “deeper” into all that. Enjoy!